Doppelgangers. Immortal personifications of evil. I’m not speaking concerning the new Twin Peaks, however the newest episode of Journey Time, which has Finn and his plant doppelganger, Fern, working collectively to stop Candy P from changing into the Lich. There’s at all times been a tragic inevitability on the core of Candy P; he could be an lovely large toddler proper now, however at some point he’ll succumb to his future and grow to be the embodiment of evil. That day is available in “Whispers,” and regardless of the kid’s makes an attempt to flee his destiny, the Lich—within the type of a disembodied hand that final appeared in “Crossover”—at all times finds a approach again to him.
Writers and storyboard artists Sam Alden and Polly Guo foreshadow the approaching of the Lich from the very begin as Finn and Fern go fishing in a cemetery, surrounded by skeletons. Loss of life permeates the visuals of this episode, significantly by way of the recurring motif of skeletons which might be peppered all through many of the environments. Finn and Fern’s fishing journey is interrupted by Candy P working out of the forest, and after calming the kid, the 2 heroes study concerning the monster that’s haunting him. Each night time, Candy P hears the monster whispering unhealthy ideas to him, and when he falls asleep, he goals of 1 factor: the Lich’s face rising from complete darkness.
The distinction within the voices of Ethan Maher (Candy P) and Ron Perlman (The Lich) says lots concerning the basic nature of each of those characters. Maher’s voice has a infantile innocence and softness that makes Candy P very lovable, and when the character is overcome with concern, you need to consolation him. Perlman’s voice is on the exact opposite finish of the spectrum: rumbling, coarse, and disquieting. It’s a voice that sounds prefer it’s emanating from the depths of hell, which is why Perlman was such an impressed casting option to play Hellboy. That character had some attraction and a humorousness, however the Lich is pure evil, giving Perlman the chance to go even additional with the malevolent depth of his voice. Candy P and the Lich sound utterly totally different, and this episode makes use of that extreme distinction to unnerve the viewer by layering the 2 voices collectively when the Lich begins to imagine management of his reincarnated self.
Candy P’s arc on this episode is one which ties very closely into the maturation course of for kids, particularly regarding the improvement of their sense of morality. I’ve a toddler relative that went by way of a part similar to what Candy P offers with on this episode, the place he struggled with impulses that made him need to interact in conduct that he knew could be thought-about unhealthy by authority figures at residence, college, and church. It wasn’t “finish the world” conduct like Candy P, however it was nonetheless conduct that pressured him to contemplate the morality of his actions, which triggered him fairly a bit of tension. It is a problem for kids which might be simply beginning to self-actualize, and there’s usually a concern that they gained’t be capable of overcome “unhealthy” impulses and lose the belief and respect of the folks in energy.
Youngsters need to resolve whether or not or not they need to give in to these impulses, and regardless that Candy P is below a supernatural affect, his destiny remains to be his to find out. When Finn is about to be defeated by the Lich’s hand, Candy P reveals up and pretends to imagine his evil future so he can get shut sufficient to the Lich to slay him. Candy P refuses to be the “king of destroy,” and realizes that the Lich is only a naughty hand that desires him to manage him. Candy P is stronger than the temptation to be evil, however I’ve the sensation this isn’t the final time Candy P should wrestle with the devilish spirit at his core.
“Whispers” advances overarching plotlines whereas additionally making a compelling character battle as Fern is overcome with insecurity that turns into jealousy towards Finn. Fern can’t do something proper. He failed to guard Ooo whereas Finn and Jake had been on their Islands journey, and on this episode, he has horrible luck whereas fishing, can’t maintain down the Lich’s hand when it tries to flee, and fails to maintain Candy P from working away. Fern solely is aware of failure whereas Finn succeeds at the whole lot he tries, and the grass demon inside Fern compels him to take motion so he gained’t be dwelling in Finn’s shadow anymore. The episode ends with Fern deciding that he ought to be the one Finn, and as Candy P escapes the darkness inside, Fern succumbs to it. There’s a brand new villain in Ooo, and Finn ought to watch his again so he doesn’t find yourself with a grass sword in it.
- The creepiest skeleton association is certainly the tied up skeleton in a tree with one other skeleton holding the rope. What precisely occurred there?
- Find out how to deal with a private disaster “librarian type”: A delicate “shh”, remind the individual they’re in a library, give them a kiss on the cheek, inform them they’ll renew the e book and convey it again subsequent week. No extra disaster!
- I like the second when Candy P pronounces, “I too am doom,” after which throws himself down the opening that Finn so gracefully descended earlier. Listening to Maher ship that line could be very humorous, and the humor of that second is amplified by the clumsy fall, which ends with a dramatic touchdown that has two streams of water flowing behind Candy P.
- “Generally being a superb dude ain’t about not dinkin’ it. Be taught out of your dinks.”
- Candy P: “The monster.” Finn: “Was it LSP?”
- “You didn’t hear me scuttling round. Foxes are silent hunters. I imply jeez, are you aware how impolite that’s? Agh, I’m gonna be considering this all week.”
- “Why did Mr. Hand name me son? Was that my monster daddy?!”
- “I can’t come to the cellphone proper. I’m both hanging with Finn, my children, my GF, or I’m lifeless.” I laughed very onerous when Jake listens to this episode’s climax on his voicemail and has no thought what’s going on.