Regardless of being among the many softest and least threatening of woodland creatures, rabbits not often get portrayed as such in motion pictures. Whereas most of us could be content material to look at one nibble on a carrot for 90 minutes, filmmakers have routinely sought to capitalize and subvert the rabbit’s picture, both by brutally murdering them or turning them creepy and cannibalistic.
With a sparkle in its eye, Fandor’s newest video essay tackles this phenomenon utilizing examples from the likes of Fundamental Intuition, Harvey, Donnie Darko, and, in fact, Monty Python And The Holy Grail.
Even higher than the foray into the cinematic rabbit is the narrator himself, who, in a thick accent, spouts hilariously ominous spurts of research. Put together to listen to strains like these echoing in your head:
– “Rabbits are paradoxical creatures, symbols of each darkness and foolishness.”
– “Their largest contradiction is that whereas they stroll amongst us, they sleep down the rabbit gap.”
– “Mythology has caught on to the duality of the rabbit, making them figures of each gentle and darkness, a bridge between the otherworld and the heavens, the best beast to plague your unconscious.”
This can be true, however the evil cinematic rabbit has but to succeed in its remaining kind. Who, pray inform, would be the Black Phillip of the hare world?