The successful Coco sends Pixar to the good past

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The afterlife imagined by Pixar’s new animated movie Coco is a labyrinthine, luminous necropolis crisscrossed by string lights and papeles picados, a spot each unusual and all too acquainted. Its foreign money is reminiscence; its exit visas are household pictures, with out which the skeletal useless can’t cross the orange marigold-petal…

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