“You’ve acquired to get your shit collectively. So yesterday, you let your self fall in love a little bit bit, and you bought your coronary heart damaged. Serves you proper for having emotions. Beginning now, you’re a exhausting, heartless profession gal. Go to work, be superior at it, and don’t waste time on silly flights of fancy. Any longer, you’re a robotic. Beep bop boop blurp bleep.”
As a present, BoJack Horseman is getting higher and higher with every episode, and a serious purpose for that’s that it’s taking the time to dedicate these episodes to its supporting forged. Whereas BoJack’s title is within the title, and his memoirs are the ostensible arc for the season, he’s surrounded by a variety of different attention-grabbing characters (performed by gifted actors). Neatly, the writers are giving every of them their time within the highlight. “Zoes And Zeldas” allowed us to see that Todd was able to greater than getting excessive on BoJack’s sofa. “Reside Quick, Diane Nguyen” proved that Diane’s put-together facade was protecting up a variety of insecurities and points together with her upbringing. “Our A-Story Is A ‘D’-Story” let Mr. Peanutbutter present greater than uncooked enthusiasm, displaying each crafty and sincerity when it got here to his girlfriend.
“Say Something” completes the present’s preliminary exploration of the principle forged, and so they’ve saved the most effective for final. If Princess Carolyn’s been the least developed of the principle forged up to now, this episode establishes her as doubtlessly its greatest character. BoJack Horseman’s displayed two strengths in its early episodes, its distinctive twist on present enterprise and the emotional scars on its forged members, and “Say Something” will get prime mileage out of each. It’s a episode that lets us see how the opposite half lives, and—shock, shock—the opposite half has a tough time of it even when BoJack isn’t round.
There’s no trace that is the trail we’re taking place within the chilly open, as we open on a typical BoJack Horseman state of affairs. BoJack, unable to take care of Diane’s engagement to Mr. Peanutbutter, went on a bender lasting two weeks and ended it crashed in entrance of Princess Carolyn’s condominium. Episode author Joe Lawson packs some terrific jokes right into a restricted timeframe right here: BoJack’s temporary and tragic friendship with “John Stamos” (and Princess Carolyn’s Rashomon clarifications) her introduction of an city German bourbon, and Todd being the worst designated driver in historical past. It’s proof that the sequence is rising extra comfy with its wordplay and references, ratcheting up the tempo to rapid-fire.
Right here’s the place occasions change up, as in a traditional episode you’d count on to comply with BoJack again to his home and see how he’d discover a method to screw up this new alternative. As an alternative, we comply with Princess Carolyn to her breakfast assembly with legendary producer Lenny Turtletaub (J.Ok. Simmons) and keep there. It’s a call that strikes us previous her incidental actions like including Andrew Garfield to her shopper roster or making some money off of Boreanaz Home. “Say Something” proves her competence and drive in juggling all the varied balls that it takes to get a movie into manufacturing, from glad-handing producers to reassuring her stars to heading off the barbs/poaching makes an attempt of rival brokers.
What it additionally proves is that it’s exhausting to be Princess Carolyn. She says in annoyance that BoJack takes up 80 p.c of her time, however the different 20 p.c isn’t spent any simpler. A merger at her company Vim places her into contact together with her arch-rival Vanessa Gekko, talked about again in “Prickly-Muffin” and now seen for the primary time. (Not an animal regardless of her title and Princess Carolyn’s invectives, in a pleasant little bit of misdirection by the BoJack artistic workforce.) The primary a part of this season leaned on the “present” a part of “present enterprise,” and now we’re getting the opposite half of the equation. Amy Sedaris will get to point out much more depth in her scenes this week, shifting from malicious to ingratiating in seconds, and likewise getting to point out us a Princess Carolyn rising more and more determined as these juggled balls begin to get dropped or snatched away.
Not that following Princess Carolyn round implies that we’re freed from BoJack, as a result of she’s nowhere close to freed from him. Her encouragement was sufficient of a lifeline out of his bender that he’s determined she’s the one lady for him, a realization sequence of more and more tough flashbacks proves he’s come to on multiple event. With Guten Bourbon’s advert marketing campaign handed over to Todd—the facility and the spiked faux bourbon instantly going to the latter’s head, in an runner that provides much more chaos to Princess Carolyn’s day and a few humor to an more and more tense episode—BoJack is free to make her dangerous day even worse. Which he does in probably the most hilariously asinine method, dropping off a cardboard cutout that spews quotes from Jerry Maguire each time somebody walks previous it.
Past giving us a much bigger take a look at Princess Carolyn’s day by day life, “Say Something” additionally tries to reply an vital query concerning the character: why somebody as formidable and gifted as she clearly is shackle herself to a horse who’s neither of these issues. As anticipated, the reply is difficult. A few of it’s primary loyalty to a shopper, a few of it’s her potential to persuade herself of something, and a few of it’s the shocking undeniable fact that for all his hassles and problems there’s one thing simple about BoJack. He’s acerbic and tough, however he’s able to being candy when he desires to be; and annoying because the cardboard cutout is, it as soon as once more displays he can listen when it issues. Together with his overtures coming at Princess Carolyn’s lowest level—shedding Eva Braun and Cate Blanchett to Vanessa—why would she flip down what looks like a genuinely honest overture?
It’s honest, however it’s additionally tenuous, to the purpose that one cellphone name—Herb Kazzaz returning BoJack’s message to throw down vitriol and an ultimatum—smashes it aside. From the start of the sequence, there’s been a selected spark to the interactions between Sedaris and Will Arnett, a lived-in crackle that goes past their primary conversations. Right here, the same old frustration and flirtation provides method to a world-weariness, the information that each of them needed to consider that this time this is able to occur, and the unstated feeling it’s not the primary time this has occurred. Lawson’s script additionally doubles down on the dangerous vibes by making BoJack unequivocally the dangerous man on this situation, snuffing any of the optimistic impressions BoJack’s actions might need engendered when he dives so deep into his self-pity he can’t even provide Princess Carolyn a journey house.
However a lot as she landed on all fours when BoJack shoved her out of his automobile within the pilot, Princess Carolyn does the identical factor, in the most effective element about her this episode: she’s rattling good at what she does. BoJack’s information of her private habits pairs with Vanessa’s disregard for having that information about Cate Blanchett, and she or he pulls off a gorgeous double cross by hooking Cameron Crowe for a brand new undertaking. (Who’s truly a raven. Widespread mistake.) And due to securing the rights for the ‘D’-theft caper—a transfer we noticed within the earlier episode, additional proving her foresight—she’s pulled off her unimaginable promise to her boss. BoJack’s acquired a job, and her job is secure.
However BoJack doesn’t appear completely happy concerning the victory for some unsaid purpose, and even when he wasn’t there’s one thing hole about her victory. The prevailing feeling over the previous couple of episodes of BoJack Horseman is that regardless of its humorousness—one which’s nonetheless totally on show this week between Todd’s histrionics and BoJack’s chair-spinning—is that the dramatic facet is the place the present’s strengths are. Princess Carolyn poured a variety of effort into her work, and a variety of hope into her relationship with BoJack, and all she’s acquired to point out for it’s her cellphone being the one entity to want her a contented fortieth birthday. Even with out Lyla Foy’s “Impossible” taking us out—the first time the closing theme is replaced—the action ends on a deeply melancholy moment. All the episodes to date have ended on darkly comic punchlines or moments of foreshadowing. This? There’s nothing funny about this.
At the start of the episode, when BoJack asks Princess Carolyn if there’s any truth to her tough love pep talk, she responds with a matter-of-fact statement: “BoJack, I’m an agent. I believe whatever I say.” In that cold open context it’s a line of dark comedy, and by the end of the episode it’s only dark, the feeling that the lies she tells her clients are secondary to the lies she tells herself. “Say Anything” may not give Princess Carolyn what she’s looking for, but it gives BoJack Horseman a push to another level of storytelling.
- Achievement In Voice Acting: Kristen Chenoweth is the perfect choice for Vanessa Gekko. She’s able to wring every bit of chipper passive-aggressive energy from her lines, from the smug delivery of how much more full and put-together her life is, to her casual dismissal of the details that Princess Carolyn will use to undo her, is to the trill of every successful “Byeeeee!” (Runner-up to Stephen Colbert as Mr. Witherspoon, as you couldn’t ask for anyone better to play a pompous and distracted senior executive.)
- The biggest disappointment of “Say Anything” is the way it sweeps the blackmail plot out of the way. BoJack couldn’t be bothered to care about it for three episodes straight, and Vanessa shuts it down with some legal statutes and the threat of framing the photographers for the murder of Tupac. The writers were going for something when they introduced it, but as an ongoing arc it never achieved its true potential.
- Todd’s rant about bourbon is 100 percent correct, as the whiskey cannot by law be produced outside of the United States and still called bourbon. I’d also argue that it can’t be produced outside of Kentucky and called bourbon, but that’s a personal issue more than a legal one.
- That BoJack cardboard standup is the gift that keeps on giving, especially as the Jerry Maguire quotes get more and more obtuse. “Did you know the human head weighs eight pounds?” Mr. Witherspoon: “Fascinating.”
- Also a gift that keeps on giving, Lenny Turtletaub’s long, long, long history with Hollywoo. “As I said to Ed Porter at the premiere of The Great Train Robbery, ‘Aah, the train’s coming right at me!’”
- “Word to the wise. Do not pitch a Nazi romance to Steven Spielberg.”
- “I’m determined to get the jargon of this German bourbon blurbin’! (Sip) Is it me, or does this fake booze taste a lot like real booze?”
- “Charlie! I hear NBC picked up your running tie show!”
- “Suffragette City: A Coming of Age Story About Rock Music, Being a Teenager in the ‘80s and Buying Zoos?! How have I not heard of this book?!
- Today in Hollywoo signs:
Horsin’ Around DVD Commentary:
- Raphael Bob-Waksberg, in an interview with Entertainment Tonight, said that he regards “Say Anything” as a turning point for the show and the place where they could start to throw BoJack under the bus as a terrible person. The aforementioned cardboard cutout came as a response to a Netflix note that a show called BoJack Horseman should have BoJack Horseman in it as much as possible, so they found a loophole for it.
- BoJack’s constant repetition about how all the terrible things that clarify his relationship with Princess Carolyn as the “best thing that ever happened” makes the title of the episode where said relationship ends all the more powerful.
- This is the first episode of BoJack Horseman written by Joe Lawson, who’s got an impressive array of credits on the series to date: the season three premiere “Start Spreading the News,” structural experiments like “After The Party” and “Stop The Presses,” and emotional gut-punches like “Escape From L.A.” “Say Anything” is proof he mastered the show’s absurdity and emotional strength early on.
- Vanessa Gekko will return in dream form in “The Shot” and real-life form in “Old Acquaintance,” and in both cases be determined to make trouble for Princess Carolyn.
Tomorrow: We look through “The Telescope,” and while BoJack seems small and weak when viewed from one end of the lens, at the other end we can see BoJack Horseman reaching its full potential.