“Ketchup” · Journey Time · TV Assessment Journey Time welcomes visitor animators that experiment with fashion · TV Membership · The A.V. Membership

Marceline’s tragic previous is without doubt one of the most heartbreaking parts of Journey Time, and “Ketchup” is an episode that explores Marceline’s issue coming to phrases with the ache and loss she’s endured throughout her life. When BMO arrives at Marceline’s home to seek out vampires (not realizing that they have been all defeated again in the course of the Stakes miniseries), the 2 of them have a catch-up session to cross the time whereas BMO recovers knowledge from an historical USB drive. They inform one another tales which are more and more emotional, and by the tip, Marceline has a serious second when she realizes that there are some recollections of her previous which are too significant to maintain locked away.

I used to be simply saying yesterday that my favourite factor about Journey Time is seeing how totally different inventive voices change the collection, and “Ketchup” is a superb instance of this, welcoming visitor animators Lindsay and Alex Small-Butera for 3 sequences that every have a unique animation fashion. The primary sequence has BMO telling Marceline about his current ocean voyage with Finn and Jake within the Islands miniseries, and it’s an ethereal, dreamlike reinterpretation of occasions depicted with fluid visuals and a sunny coloration palette. It’s not what really occurred throughout Islands, however as BMO says later, he’s extra involved with the emotional reality of the journey. The animation displays that with its vibrancy, and there’s a way of exhilaration within the storyboarding that captures BMO’s pleasure throughout his journey.

Marceline places on a puppet present for BMO when she tells her story about Lollipop Woman and her buddy, Rock Star Woman, whose relationship falls aside when they’re contaminated with a virus that turns them into potatoes. The animation for this sequence has a simplified design sensibility that evokes the look of puppetry with out being restricted to puppet characters, and it’s straightforward to see this phase translated into cease movement animation as a result of it has a extra tactile high quality than the one earlier than it.

Marceline doesn’t give her story a satisfying ending as a result of she doesn’t wish to interact with concepts that require her to be emotionally weak, suggesting that her sequence has deeper resonance. This story of two buddies being pushed aside by private change has me questioning if it may be a glimpse into why Marceline and Princess Bubblegum’s romantic relationship dissolved previously, and whereas the present hasn’t explicitly delved into their time as girlfriends, we do have affirmation that they have been an merchandise. The foremost theme for Marceline this week is her reluctance to look again at relationships that took a flip for the more severe, and whereas I could also be overanalyzing Marceline’s story, there’s no denying this theme once we get to the final narrative of the episode.

“Ketchup” is an episode that misdirects the viewer for many of its runtime, making them assume that that is going to be a lightweight story about BMO and Marceline entertaining one another. However within the ultimate minutes, it turns into one thing far more substantial. After the information restoration is full, BMO tasks the contents of the USB drive on the wall, revealing a group of images that ends with Marceline as a baby, taking part in on the seashore together with her mom. That shot alone is brimming with emotion as a result of we all know the tragedy of Marceline’s previous, however that’s simply the teaser for the intestine punch that follows when Marceline asks BMO to inform her a narrative in regards to the little lady and the good woman within the image.

This ultimate story from BMO has the largest stylistic shift, with a flat aesthetic that makes the animation seem like transferring paper cutouts. It has a youngsters’s guide high quality, which works very effectively contemplating it explores a blissful childhood reminiscence. I’ve at all times been an individual that doesn’t like stopping what I’m doing to take an image, however as I’ve gotten older, I’ve come to understand the worth of getting a snapshot of a second that gained’t fade like my reminiscence. When individuals depart your life, these photographs turn into a tether to the time you shared with them, and upon seeing the picture of her mom, Marceline is overwhelmed with feeling that she will’t ignore.

“Ketchup” highlights the flexibility of its visitor animators and exhibits hows embracing totally different kinds can enrich storytelling. Having this vary of animation aesthetics makes this a extra fulfilling episode, and even when it didn’t have that emotional climax on the finish, it will nonetheless be a compelling chapter due to the way it performs round with the medium.

Stray observations

  • There are many enjoyable little songs on this episode, beginning with Marceline’s tune about taking part in bass in her face. They don’t play an particularly massive function within the emotional storytelling, however they do present some mild musical humor.
  • I’m sort of unhappy we by no means acquired an episode about BMO, Vampire Hunter.
  • Common Present’s J.G. Quintel has a fast cameo on this episode because the voice of a bluebird that seems in BMO’s story. Coincidentally, there’s an Journey Time/Common Present crossover comedian debuting from Increase! Studios subsequent month!
  • “I additionally hunt knowledge restoration!”
  • “I wanna trip on a ship boat boat/I wanna trip on a goat goat goat/Center C’s my favourite notice notice notice/I’m on a cat that float float floats”
  • BMO: “The ending was not plausible.” Marceline: “Come on, you had a cat with legs on its again.” BMO: “I used to be being emotionally truthful.”

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