Eugene continues to be in hell, which sucks for him. Within the supply materials, Eugene was a depressed teen who tried to kill himself after Kurt Cobain dedicated suicide. The identical situation wouldn’t work for the TV present, if solely as a result of the timelines wouldn’t match up; all the identical, I’m undecided the adjustments made to the character’s origins have been for the higher. The opening scene of “Damsels” reveals us Eugene caught in a loop much like the Saint Of Killers—a relentless rerun of the worst time in his life, which coincidentally additionally occurs to be a chunk of related backstory. Final season we heard that Eugene had a crush on a woman and shot her when she turned him down. Seems, issues are somewhat extra difficult than that: She was planning on killing herself, however he manages to speak her out of it proper up till the second he tries to kiss her.
To the great, this makes Eugene out to be loads much less of an asshole. He doesn’t kill Tracy; his resolution to try to reap the benefits of her in her misery is a foul transfer, however the best way it performs out, he’s hapless and dumb, not evil, which is a aid. To the unhealthy, Tracy doesn’t make a lot sense as a personality, in a manner that looks like overcompensation. Not solely is she foolish sufficient to need to off herself as a result of she caught her dick boyfriend dishonest (and her grief is performed largely for laughs, which might be high-quality if it weren’t for the entire useless factor), her resolution to go forward with the suicide try after Eugene kisses her doesn’t make an entire lot of sense. As a substitute of underlining the stupidity of Eugene’s conduct, it makes him appear to be a sufferer of a cartoon; and whereas “sufferer” is a greater search for his character than “tried assassin,” it nonetheless doesn’t work in addition to it may.
Fortunately, Tracy (and so many others) are gone now, which implies we will give attention to the extra vital features of Eugene’s story: that he’s in hell because of Jesse Custer and that this isn’t a great place to be. “Damsels” doesn’t spend quite a lot of time on his story; we see him caught within the loop for some time, after which hell’s equipment apparently malfunctions, leaving him free to wander by means of a grim grey corridor and meet somebody who appears an terrible lot like Hitler. It’s concurrently creepy and humorous (“Oh, you’re in hell? Heeeeeeeeere’s HITLER!”), and if the small print of Eugene’s Worst Day Ever don’t precisely click on, the idea as an entire is efficient.
The majority of the episode follows Jesse, Tulip, and Cassidy as they arrive in New Orleans. Jesse continues his quest for God, however after a fantastic slow-burn gag (clearly “God” was going to be some type of weird intercourse act, however the joke works as a result of the payoff manages to ship on expectations; I particularly appreciated the threatening close-up on the dog-man’s eye), Tulip decides she’s had sufficient and bails. She’s anxious she’s going to be noticed by somebody who will report her arrival on the town to Victor, and Cassidy takes the chance to get some alone time together with his unrequited. They find yourself at Dennis’ home, a Frenchman who is aware of Cassidy in some way, regardless that he doesn’t seem to love him a lot.
There are many mysteries in “Damsels,” and precisely what’s occurring with Eugene in hell is definitely the smallest. Who’s Dennis, and why is Cassidy comfy crashing at his home when, as Tulip observes, Dennis appears to hate him? Who’s Victor, what’s Tulip’s relationship with him, and what does she hope to perform by turning herself over on the finish of the hour? And what’s this mysterious “crypto-fascist spiritual group” that cons Jesse into revealing the Phrase to an entire stranger?
All of those questions matter (the final one will in all probability have the most important ramifications for the sequence going ahead, together with a quick introduction of a vital dickhead), but it surely’s a mark within the present’s favor that the lack of expertise is all the time extra intriguing than overwhelming. We all know why Jesse, Tulip, and Cassidy are doing what they do even when we don’t know the small print of how they’re doing it, or what precisely they plan to perform. The characters are well-drawn sufficient at this level that the thriller pulls us ahead as a substitute of complicated us; and as long as the present has Jesse’s quest to return again to, there’s an organizing construction that can hold the chaos round it from spiraling uncontrolled.
I proceed to be impressed with the dealing with of Cassidy. Joe Gilgun is strolling a high-quality line between ingratiating and sycophantic, however he does it properly, and it’s nonetheless doable to grasp why Tulip is keen to belief him even when there’s a lot about him that’s not price trusting. Her relationship with Jesse is stable, however with the type of exterior issues that make her reluctant to be fully sincere; and whereas that may be a drained dramatic trope, the best way it’s enjoying out right here has labored to date for me, largely as a result of it continues to justify her treating Cassidy as a confidant. Regardless of just a few worrying indicators, she wants a sympathetic ear, and Cassidy is nothing however sympathy. The trio’s present dynamic has the looks of stability, however with simply sufficient believable uncertainty on the coronary heart of issues to make it doubtlessly explosive. I particularly like how good the present is at making Cassidy each a bit slimy and likewise very charming. It’s a pleasant combine.
Final season Jesse himself was in all probability the weakest hyperlink of the three leads; Dominic Cooper is a powerful, non-conventional choose for the position, however he was hampered by a personality who didn’t have a function past obscure idealism. Now that he has his quest, he’s come into higher focus, and whereas it will be simple for him to fall right into a generic hero sort, it’s already clear that he’s acquired extra of a previous than we’ve been allowed to see. The second within the bar the place he snaps and flings a glass at a stranger for making enjoyable of him is each a reminder of how fast his reflexes are and a not-so-subtle suggestion that his God-hunt isn’t as saintly as he’d clearly wish to consider. The boy has points, I’m saying, and it’ll be enjoyable seeing these come to the floor as issues worsen for everybody.
The group that methods him into revealing himself doesn’t get a reputation this week, however I’ll provide you with a spoiler: They’re, no less than within the comics, a fairly large deal, and their introduction right here is properly dealt with, a ruse that performs on Jesse’s ego and gallantry in addition to our personal presumptions about mysterious and exquisite lounge singers within the Large Simple. After an evening of useless ends, a bartender sends him after a singer who might know the place God is; Jesse makes contact, watches her fend off a pickup artist, after which saves her from a gaggle of white-suited, white-masked thugs. The singer feeds him a line a couple of man who knew one thing however wound up useless, which Jesse buys fully, however we see later she’s on the job, a reveal that turns the corniness of the scene into an asset.
All of which in the end results in Jesse’s file crossing Herr Ok. Starr’s desk—and the path (by Michael Slovis) does a high-quality job of suggesting that this issues, even when we don’t precisely know why but. Slovis’ path all through the episode is terrific, and I particularly appreciated the ultimate moments of the hour: Tulip on the laundromat in close-up as a horde of males seem behind her. She’s apparently determined to steer into the skid of her personal previous. We’ll must see if that works out for her, however one factor’s for certain: None of that is going to be simple.
- Nicely, Jesse’s used the Phrase twice now, so the Saint must be alongside quickly.
- Jesse will get a foul vibe off a poster for “Angelville.” Hmm.
- “It’s identical to what Mary Poppins says in The Sound Of Music.” —Eugene
- “It was simply anal, so I’ll nonetheless get into heaven.” —Tracy
- My greatest drawback with the opening scene is that there’s no actual sympathy for Tracy in any respect in it. The scene would’ve been stronger if it had managed to make each her and Eugene each sort of fucked up and unhappy; that may’ve been tougher to write down, particularly to verify it ended the best way it wanted to, however as is, Eugene simply comes throughout as an entire sufferer of horrible, horrible luck (even the kiss he offers her, whereas badly timed and invasive, is fairly chaste and fast), whereas Tracy appears to have stepped out of Heathers. The mix doesn’t work. Nonetheless, she’s gone now, and no less than Eugene isn’t a monster anymore.
- “We’re searching for God.” “All three of you?”