Superhero comics wouldn’t be the pressure they’re immediately with out Jack Kirby. His explosive tales and art work revealed new prospects for the comic-book medium, and the superhero style benefited most from his concepts. For Kirby’s centennial 12 months, DC Comics has gone above and past to honor the legacy of the groundbreaking creator, releasing new collection and one-shots that highlight an enormous vary of Kirby’s DC characters. (Simply final week, DC introduced that Kirby’s The Demon can be returning in November with a brand new miniseries by author Andrew Fixed and artists Brad Walker and Andrew Hennessy.) The celebration began with The Kamandi Problem, a year-long miniseries that has completely different artistic groups telling single-issue tales that take the cliffhanger of the earlier subject and ship the plot in a brand new path.
The eight chapters up to now have included names like Neal Adams, Marguerite Bennett, Amanda Conner, Steve Orlando, Jimmy Palmiotti, Ivan Reis, Peter J. Tomasi, and James Tynion IV, and this week’s subject contains a pair of creators whose reverence for Jack Kirby has been obvious from their earliest days within the trade. Author Keith Giffen and artist Steve Impolite have all the time been pushed by Kirby’s affect, and this unique preview of this week’s The Kamandi Problem #eight showcases simply how properly they seize Kirby’s voice and visible type. Like Kirby, Giffen turns to historical mythology for his story, and the circumstances of Kamandi’s world put a brand new twist on the supply materials as Kamandi is mistaken for Odysseus and thrown in the course of a battle between humanoid goats and wolves.
These two tribes are impeccably designed by Impolite, who holds on to the important animal qualities of the goats and wolves however maximizes their expressive potential. His costumes take cues from historical clothes design whereas incorporating the daring graphic parts that made Kirby’s work so highly effective. Essentially the most spectacular factor about this preview is how the art work creates a propulsive momentum that by no means stops. The tempo might simply decelerate after Kamandi crashes on the seashore, however that final panel of the goats’ silhouettes bursting into view energizes all the pieces once more.
The primary shot of the goats within the mild has a dramatic composition that’s echoed by an analogous shot of the wolves later, establishing a battle that erupts within the last web page, which has some particularly placing makes use of of silhouettes in motion. John Kalisz’s minimally rendered coloring retains the deal with the linework, however he additionally understands vibrant palette heightens the sensational nature of Impolite’s art work, particularly when it’s channeling Kirby so aggressively. This can be a artistic staff that basically understands what makes Kirby’s work partaking and thrilling, they usually rise to The Kamandi Problem with aplomb.